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Consulted literature: Books, chapters, & articles

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Acevedo G., Antonio J.: Ensayo sobre la Gaita zuliana [Essay on the "Gaita" festival of Zulia]. Maracaibo, 1966.

Adelung, Johan Christoph (1732-1806): Grammatisch-kritisches Wörterbuch der hochdeutschen Mundart. Wien, 1808. *Mit D.W. Soltau’s Beyträgen revidirt und berichtiget [sic] von Franz Xavier Schönberger.

Agnew, R. Gorden: The music of the Ch’uan Miao. In: Jl. West China border research soc.11 (Shanghai, 1939), p.9-22.

Agrasar Vázquez, Martín & Carballeda Ferreiro, Patricia: A música. Santiago de Compostela, s.a. [2000].

Ahrens, Christian: Die griechische Sackpfeife (Gaïda) und ihre Musik. In: Studien zur Musik Südost-Europas (Hamburg, 1976), p.49-70.

Ahrens, Christian: Ein griechischer Volksmusiker und sein Instrument: zur Stimmung folkloristischer Aerophone. In: SIMP VII (Stockholm, 1981), p.95-101.

Airs du temps: cornemuses du monde, musiques des régions. Ploezal, 1996.

Alexandre, Charles: La cornemuse des Pyrénées françaises [et de Catalogne et des Iles Baléares]. In: The bagpipes in Europe, 1 (1976), p.16-31.

Alexandru, Tiberiu: Instrumentele muzicale ale poporului român. Bucureşti, 2014 (Reprint of Instrumentele muzicale ale poporului romîn, Bucureşti, 1956).

Alexandru, Tiberiu: Dudelsack in Rumänien. In: Musikblatt extra 91 (Göttingen, 1991), p.21.

Allmo, Per-Ulf: Säckpipan i norden: från änglars musik till djävulens blåsbälg (Bagpipes in the nordic countries [From music of the angels to the devil’s bellows]). Stockholm, 1990.

Ambrogio, Aldo: Folklore piacentino. Natale: la piva, i pivari, il presepio. In: Utriculus IV;4 (16) (1995), p.24-27.

Amieva, Xuacu: Método de gaita asturiana. Gijón, 1998.

Amyot, Robert: L’instrument talisman: un Québécois amoureux des cornemuses. In: Montbel/Blanchard: Cornemuses: souffles infinis…, p.98-103.

Angius, Vittorio: Dizionario geografico, storico, statistico, commerciale degli stati di S.M. il re di Sardegna.

Anonymous: Caption to a print of miniature 260 in the collection of Dr. Fritz Schneider, Krefeld.

Anonymous: Caption to a print of miniature 280 in the collection of Dr. Fritz Schneider, Krefeld.

Anonymous: L’anchage des pieds de cabrette (Méthode Edouard Chapot). In: Folklore de France 36/203 (Nîmes, 1986/1), p.3-8.

Anonymous: Mélanges sur les langues, dialectes et patois: Renfermant, entre autres, une collection de la parabole de l’enfant prodigue en cent idiomes ou patois différens, presque tous de France; Précédés d’un essai d’un travail sur la géographie de la langue française. Paris, 1831.

Anonymous: Något om Watländarenas ſeder [Something about the habits of the Watländ minority]. In: Åbo Tidning N:o 65. Onsdagen [Wednesday] den 18 Augusti 1802, p.1, 3 [NB¹: Åbo is the Swedish name of bilingual Turku, Finland; ws]. NB²: ➺ Åbo Tidning (WS).

Anonymous: Orígenes y nombres de Gaitas [shawms]. In: A.G.A. 8 (1995), p.8.

Anonymous: Sequencias: Anton Corral. In: Anuario da Gaita 1998 (13), p.13-15.

Anonymous: Sledujte náš "Gajdyseriál" [Watch our "Gajdy series"]. In: Hutník: Týdenik Třineckých železáren [The metallurgist: Weekly of the ironmongers of Třinec], 61;42 (21 Oct. 2009) & 43 (29 Oct. 2009).

Anoyanakis, Fivos: Greek popular musical instruments [Title on cover: »Greek folk musical instruments«]. Athens, 1979.

Ανωγειανάκης, Φοίβος [Anoyanakis, Fivos]: Ελληνικά λαϊκά μουσικά όργανα. Αθήνα [Athens], 1979.

Arcangeli, Piero G. / Palombini, Giancarlo / Pianesi, Mauro: La sposa lamentava e l'amatrice: poesia e musica della tradizione alto-sabina tra l'Abruzzo e il Lazio. s.l. [Pescara], 2001.

Arends, H.: Muziek uit Japan kent vele vormen. In: Akt 18;5 (Groningen, 1970), p.151-157.

Armstrong, Gerry & George (ill.): The magic bagpipe [1978, The International Piper]. Edinburgh, 1988 [1st Scottish ed.].

Armstrong, Jack]: The Jack Armstrong tune book: the complete compositions of Jack Armstrong and a selection from the repertoire of duets which he played with Patricia Jennings [With an introduction by Alfred Ferguson]. Newbiggin-by-the-Sea, 1995.

Artigues, Toni: Xeremiers: manual de xeremies, fobiol i tamborí. Palma de Mallorca, 1982.

Ashton, Charles: Gweithiau Iolo Goch: gyda nodiadau hanesyddol a beirniadol [The works of Iolo Goch: with historical and critical notes]. Croesoswallt [Oswestry], 1896: ➺ references in Peate !!!

Asociación Galega de Bandas de Gaitas: regulamento campionatos. Ourense [Orense], s.a. [1994].

Атанасов, Вергилий [Atanasov, Vergilij]: Систематика на българските народни музикални инструменти (Systematik der bulgarischen Volksmusikinstrumente). София [Sofija], 1977.

Atanassov, Vergilij: Gaida (Dudelsack). In: The bagpipes in Europe, 1 (1976), p.37-46 + [7] ills.

Atanassov, Vergilij: Die technischen Möglichkeiten der Sackpfeife in Bulgarien. In: SIMP VI (Stockholm, 1979), p.126-129.

Атлас музыкальных инструментов народов СССР = Atlas of musical instruments of the peoples inhabiting the USSR [1963]. Вертков, Константин А. (Vertkov, Konstantin A.) / Благодатов, Георгий И. (Blagodatov, Georgij I.) / Язовицкая, Эльза Э. (Jazovickaja, El’za E.). Москва (Moskva), 1975 (2).

Aubry, Michel: Franco Melis, launeddas-player of Tuili, Sardinia. [Title on cover: launeddas]. In: Proc. International bagpipe symposium… (The Hague, 1988), p.70-78.

Aumüller, Stephan A.: »Dudlsack« und Büllhefen: Schall- und Lärminstrumente aus dem Burgenland (Österreich). In: Volkskunst 3;4 [Volksmusikinstrumente] (München, 1980), p.237-239.

Bachmann-Geiser, Brigitte: Die Volksmusikinstrumente der Schweiz (Handbuch der europ. Volksmusikinstr. 1/4). Leipzig, 1981.

The bagpipes in Europe, 1 (Brussels mus. of musical instr., bull. 6;1-2 [7 essays]). Buren, 1976.

The bagpipes in Europe, 2 (Brussels mus. of musical instr., bull. 8;1-2 [2 essays]). Buren, 1978.

Baines, Anthony: Bagpipes [1960]. Oxford, 1973 (revised).

Baines, Anthony: Woodwind instruments and their history [1957]. With a foreword by Sir Adrian Boult. London, 1962 (2).

Bajén, Luis Miguel & Nuey, Biella: La gaita de fuelle en Monegros. In: La música y la gaita de fuelle aragonesa en Robres, p.14-15.

Bakx, Phons: De launeddas: rietinstrument van de Sarden. Middelburg, 1995. NB: ➺ Review (WS).

Baldano, Giovanni Lorenzo: Libro per scriver l’intavolatura per sonare sopra le sordelline (Tablature book for playing the sordellina; Savona, 1600). Facsimile del manoscritto e studi introduttivi a cura di Maurizio Tarrini, Giovanni Farris, John Henry van der Meer. Savona, 1995.

Ballero, Antonio: Launeddas. In: Launeddas: l’anima di un popolo, p.13, 21.

Balling, Georg: Zur Geschichte des Dudelsacks in der heutigen Nordoberpfalz = K historii dud v dnešním severním Hornofalcku. In: Sonderausstellung: der Dudelsack, Musikinstrument…, p.40, 44-49.

Balling, Georg: Zur Geschichte der Sackpfeife in Bayern. In: Der Dudelsack in Europa, mit besonderer Berücksichtigung Bayerns, p.5-14.

Balling, Georg: Sackpfeifen im Schwäbischen Albverein. In: Schmidt: Sackpfeifen in Schwaben: die Wiederentdeckung…, p.121-124.

Baltrėnienė, Marija & Apanavičius, Romualdas: Lietuvių liaudies muzikos instrumentai [Lithuanian folk musical instruments]. Vilnius, 1991.

Bărbuceanu, Valeriu: Dicționar de instrumente muzicale. București, 1999.

Baretti, Giuseppe [Marco Antonio]: Dizionario delle lingue italiana ed inglese, 9th ed., vol. 1 [Corrected and improved by Charles Thomson]. Londra [London], 1839. (Dictionary as a source).

Barilone, Antonio: Da quando è uscita ’sta televisione i bambini non vengono più appresso agli zampognari. In: Portavamo la cucchiarella…, p.30-32.

Barrenechea (Barrenetxea), (Jose) Mariano: Alboka: entorno folklórico (Colaboración de P. Jorge De Riezu), Bilbao, 1976.

Barthakur, Dilip Ranjan: The music and musical instruments of North Eastern India. New Delhi, 2003 (p.123-124: Mouth organs).

Baudoin, Jacques: La samponha, le retour… (Pastel 1993 – 2013). s.l., 2013.

Baudoin, Jacques: La samponha, le retour, 2: La samponha, la renaissance? (Pastel 1993 – 2013). s.l., 2014.

Bayer, Xavier: La manxa borrega o sac de gemecs al Penedès. In: Fulls de treball de Carrutxa 15-16 (Reus, s.a. [1983]), p.20-21 (Dossier cornamusa).

Bayer, Xavier: La manxa borrega: formacions instrumentals i funcions. In: La Fura (Vilafranca, 1990), p.15-16 (Dossier).

Bayer, Xavier: El sac de gemecs: aproximació a l’instrument i presència al Penedès. In: El 3 de 9 (Vilafranca, 1990), p.21-24.

Bayer, Xavier: Aproximació al sac de gemecs. In: Luthiers i instruments tradicionals de Catalunya (Calella, 1994), p.49-58.

Bayley, Christopher (Chris): The world of bagpipes: Index A-Z (2016).

Bec, Pierre: Fonction et imaginaire de la cornemuse au Moyen-Age et à la Renaissance. In: Pastel 29 (Toulouse, 1996), p.26-35.

Bec, Pierre: La cornemuse: sens et histoire de ses désignations. Poésie, musique, folklore. Toulouse, 1996.

Becker, Heinz: Das Volksmusikinstrument in der Rezeption des Musikhistorikers. In: SIMP IV (Stockholm, 1976), p.30-39.

Becker, Heinz: Mechanische Spielhilfen (Effektoren) als instrumentenkundliches Problem. In: SIMP VI (Stockholm, 1979), p.10-18.

Beltrán [sic] Argiñena, Juan Mari: Alboka. In: Anuario da Gaita 2002 (17), p.87-89.

Beltran Argiñena, Juan Mari: Xirularrua – Gaita de bota: La cornamusa en el País Vasco. Oiartzun, 2012.

Bencker, Ludwig: Bilder aus dem menschlichen Leben, zur Aufheiterung und Belehrung dargestellt. Lindenhardt im Oberfranken, 1839 (p.85-89: Der Bockspfeifer).

Berg, John E.: Sekkepipelyd fra Norge (In Norway). In: Allmo: Säckpipan i norden…, p.308-315, (601).

Bernardini, Paolo: L’aulete di Ittiri. In: Launeddas: l’anima di un popolo, p.205-209.

Bernatzik, Emmy: Burma [Bildtafeln und Interpretationen]. In: Collaer [et al.]: Südostasien, p.68-71.

Bertrand, Guy & Menetrier, Bernard: Instruments de musique populaires traditionnels en Gascogne. Toulouse, 1982.

Bibby-Wilson, Kim & Moore, Anne (eds.): Morpeth Chantry Bagpipe Museum: souvenir guide. Newcastle upon Tyne, 2003. NB: ➺ Review (WS).

Bielawski, Ludwik: Polish instrumental folk ensembles. In: SIMP X (Stockholm, 1992), p.50-55.

Biella, Valter: Ricerca sulla piva nel bergamasco. Bologna, 1985.

Biella, Valter: Il baghèt: note organologiche su metodologie di progetto e costruzione delle antiche cornamuse bergamasche (The baghèt: organological notes on methodologies of planning and manufacturing the ancient bagpipes from Bergamo area). In: Utriculus, Nuova serie XIV (49-50) (2015), p.43-74.

Biella, Valter: Il baghèt: note organologiche su metodologie di progetto e costruzione delle antiche cornamuse bergamasche (Parte II) (The baghèt: organological notes on methodologies of planning and manufacturing the ancient bagpipes from Bergamo area (Part II)). In: Utriculus, Nuova serie XVI (53) (2017), p.43-56.

Biella, Valter: Pia o baghèt: La cornamusa in terra di Bergamo. Casnigo, 2010 (Quaderni casnighesi, 8).

Biella, Valter: Il "baghèt": un’antica tradizione bergamasca. Testi musiche e strumenti. Bergamo, 1988.

Biella, Valter: Il baghèt bergamasco. In: Corsaro: La zampogna «messinese»: riflessioni…, p.19-22.

Biella, Valter: Legno, corteccia e canna: strumenti musicali nella tradizione popolare bergamasca ([Wood, bark and reed: musical instruments in the folk tradition of the Bergamo area]). Bergamo, 1993.

Biella, Valter: Il baghet – la cornamusa bergamasca. Bergamo, 2000 (I quaderni della Meridiana n. 3).

Biella, Valter: Il "baghèt": la piva delle valli bergamasche. In: La zampogna: gli aerofoni a sacco in Italia, I, p.1-21.

Biella, Valter: La cornamusa nel Canton Ticino (Appendice [all’articolo] "Il Baghèt"). In: La zampogna: gli aerofoni a sacco in Italia, I, p.22.

Biella, Valter: Alcune riflessioni su come fotografare e disegnare cornamuse e altri strumenti etnici a fiato (Some reflections on how to photograph and how to draw bagpipes and other ethnic wind instruments). In: Utriculus, Nuova serie XIII (48) (2014), p.21-28.

Biella, Valter: La müsa delle Quattro Province (The "musa" [sic] of the "Four Provinces"). In: Utriculus, Nuova serie XIII (48) (2014), p.29-45.

Bigot, Laurent: Quand on entend le bruit du biniou: on ne peut s’empêcher de sauter! In: Montbel/Blanchard: Cornemuses: souffles infinis…, p.94-97.

Bigot, Laurent: Aux origines d’une grande tradition. In: Ar men: la Bretagne, un monde à découvrir 59 (s.l. [Douarnenez?], 1994), p.26-34, 38-39 (Le couple biniou-bombarde; [NB: ➺ Parades]).

Blanc, Bernard: Les cornemuses du Centre: filiation et évolution = The bagpipes of central France: ancestry and evolution. In: Les cornemuses de George Sand: autour de Jean Sautivet…, p.28-31, (103-105).

Blanc, Bernard: Les musettes Sautivet. In: Trad magazine 107 (Saint-Venant, 2006), p.90-91 (Cabrettes et musettes à l’étude, 8).

Blanchard, Jean: Manipulons les mythes: du soliste à la Grande Bande. In: Montbel/Blanchard: Cornemuses: souffles infinis…, p.12-17.

Blanchard, Jean: La voie des bourbonnaises: entretien avec Bernard Blanc, luthier. In: Montbel/Blanchard: Cornemuses: souffles infinis…, p.72-83.

Blanchard, Jean: Créer une bulle sonore: entretien avec Patrick Mollard, joueur de pibroch. In: Montbel/Blanchard: Cornemuses: souffles infinis…, p.104-111.

Blecua Vitales, Martín & Mir Tierz, Pedro: La gaita de boto aragonesa. Zaragoza, 1998.

Blench, Roger: The history and distribution of the free-reed mouth-organ in SE Asia (presented at the 14th EurASEAA meeting, Dublin, September 2012 (Draft submitted for proceedings, 2012).

Boekhoorn, Serge: De gaita: vergeten of verheven?: een vergelijking tussen de doedelzak in Galicië en noord-Portugal (Afsluitende opdracht Portugese taal- en letterkunde (Vrij onderdeel), studierichting Europese studies/geschiedenis, Universiteit van Amsterdam). Apeldoorn, 1996.

Boers, J.C.: De Hommel of Noordsche Balk. In: Ts. Vereeniging voor Noord-Nederlands Muziekgeschiedenis, Deel 1, 1ste Stuk (1882), p.1-9.

Boisvert, Thierry: Chabrettes: mon Dieu, quelle histoire! In: Proc. International bagpipe symposium… (The Hague, 1988), p.7-22.

Bonanni, Filippo: Gabinetto armonico pieno d'iʃtromenti ʃonori indicati, e spiegati dal padre Filippo Bonanni. Roma, 1722. [Extract: plates XXX (Piua [Piva] o Ciaramella) & XXXI (Muʃsetta) + text only].

Bonanzinga, Sergio: La zampogna a chiave in Sicilia. In: La zampogna: gli aerofoni a sacco in Italia, II, p.183-216.

Bonanzinga, Sergio: La zampogna a chiave in Sicilia. Con testi di Paola Tripisciano e Giovan Battista Vaglica / Rilievi grafici di Monica Modica / Disegni e restauro immagini di Giuseppe Aiello / Trascrizioni musicali di Santina Tomasello e Alessandro Giordano. Palermo 2006.

Boone, Hubert: De doedelzak. Woord vooraf door J. Van Haver en A. Doppagne… Inleiding door R. De Maeyer… Brussel, 1983.

Boone, Hubert: De doedelzak in Europa, vroeger en nu, 1. Antwerpen, 1985.

Boone, Hubert: De doedelzak in Europa, vroeger en nu. Peer, 1987.

Boone, Hubert: Bagpipes in the Autonomous Socialist Soviet Republic of Mari. In: Proc. International bagpipe symposium… (The Hague, 1988), p.31-36.

Борова, Светлина [Borova, Svetlina]: Гайдата в българското кино [The Gajda in Bulgarian cinema]. Пловлив [Plovdiv], 2018. NB:➺ Denova

Bottali, Piero: Zampognismo & animalismo (Piping and animalism). In: Utriculus, Nuova serie XV (51-52) (2016), p.69-76.

Brauer-Benke, József: Dudatípusok Magyarországon [Bagpipe types in Hungary]. s.l., s.a.

Brauns, Claus-Dieter (photos) & Löffler, Lorenz G. (text): Mru: Hill People on the border of Bangladesh. Basel, 1990.

Breathnach, Breandán: Folk music and dances of Ireland [1971, revised 1977]. Dublin, 1983.

Breathnach, Breandán: The Irish pipes. In: The bagpipes in Europe, 1 (1976), p.1-15 + 2 ill.

Breathnach, Breandán: Francis Collinson, The bagpipe: the history of a musical instrument (London, 1975). Review. In: [?] [s.l., ca. 1975], p.72-73.

Bridge, Joseph C.: Town waits and their tunes. From: Proceedings of the British Musicological Association. February 21, 1928. Annotations by James Merryweather, April 2006.

Brindisi, Maria Beatrice: Lo zampognaro di Arnaldo de Lisio. In: Utriculus V;3 (19) (1996), p.28-31 (Iconografia delle zampogne nel Molise).

Bröcker, Marianne: Eine unbekannte Quelle zum Instrumentarium des 13. Jahrhunderts. In: SIMP V (Stockholm, 1977), p.91-95.

Bröckner [sic], Marianne [Bröcker]: Die Sackpfeifen Italiens. In: The bagpipes in Europe, 2 (1978), p.16-52.

Bröcker, Marianne: Die Drehleier: ihr Bau und ihre Geschichte, I (Textband) & II (Bild- und Registerband). Bonn-Bad Godesberg, 1977 [English version!].

Der Große Brockhaus. Handbuch des des Wissens… Leipzig, 1929-1935 (15).

Brömse, Peter: Flöten, Schalmeien und Sackpfeifen Südslawiens. Brünn [Brno], 1937.

Brücker, Fritz: Die Blasinstrumente in der altfranzösischen Literatur. Giessen, 1926.

Brunet, Jacques: Kampuchea (Kambodscha) [Bildtafeln und Interpretationen]. In: Collaer [et al.]: Südostasien, p.44-57.

Buchholz, Oda / Fiedler, Wilfried / Uhlisch, Gerda: Wörterbuch Albanisch-Deutsch. Leipzig, 1981 (2) (Dictionary as a source).

Buchner, Alexander: Folk music instruments of the world. London, 1971 [NB: ➺ also editions in Czech (Hudební nástroje národů, Praha, 1969), German, and French].

Buckley, Ann: Considerations in a stylistic analysis of uilleann piping. In: SIMP VI (Stockholm, 1979), p.120-125.

Buhle, Edward: Die musikalischen Instrumente in den Miniaturen des frühen Mittelalters. Ein Beitrag zur Geschichte der Musikinstrumente, I: Blasinstrumente. Leipzig, 1903.

Butler, Richard: The Northumbrian small pipes. [Title on cover: Northumbrian smallpipes]. In: Proc. International bagpipe symposium… (The Hague, 1988), p.105-115.

Buzzelli, Piero: La zampogna nella Marsica. In: Utriculus VIII;1 (29) (1999), p.33-38.

Byrtek, Edward & Cul, Łukasz: Budowa dud żywieckich. s.l. [Żywiec?], s.a. [2013/4?].

Caccia, Alberto: In Germania la zampogna non l’ho portata. In: Portavamo la cucchiarella…, p.41.

A.C. [Antonietta Caccia]: La zampogna e la cicala. In: Utriculus VII;1 (25) (1998), p.36-39 (Curiosità zampognare).

Caccia, Antonietta: Zampogne con metodo (Zampogne with method). In: Utriculus XI (42) (2007), p.30-33.

Caccia, Antonietta: Il Canonico Maccari e il Suonator di Cornamusa. In: Utriculus XI (43) (2007), p.5-12 [NB: ➺ Maccari].

Caccia, Vincenzo: Andavamo a piedi con uno zaino e una coperta. In: Portavamo la cucchiarella…, p.44.

Calle García, José Luis: Ricardo Portela: dúas palabras verbo da gaita galega [Two words for the Galician bagpipe]. Pontevedra, 1988.

Calle (García), José Luis: Aires da terra: la poesía musical de Galicia. Madrid, 1993.

Capozzi, Angelo: La zampogna di Panni: una zampogna che ci interroga. In: Il Richiamo 5;6 (Castelnuovo al [sic: a] Volturno, 2006), p.12-13.

Capozzi, Angelo / De Angelis, Paolo / Delli Muti, Mario: La zampogna nella Daunia. Foggia, 1999.

Carolan, Nicholas: A nineteenth-centry uilleann piping poster [Announcing a concert by Mr. Hannigan (Thomas O’Hannigan), the celebrated performer on the Union Pipes]. In: Ceol na hÉireann / Irish music 2 (Dublin, 1994), p.46-52.

Carolan, Nicholas: Courtney’s ’Union pipes’ and the terminology of Irish bellows-blown bagpipes (2012).

Carracedo, Sito: Palleta maldita: libro técnico de afinación de la gaita gallega. Guitiriz-Lugo, 2001.

Casetti, Antonio & Imbriani, Vittorio: Canti popolari delle provincie meridionali, 2. Torino, 1872.

Castagna, Ettore: La zampogna a chiave calabrese (The Calabrian zampogna with key), I (Disegni: Stefano Fraschetti). In: Utriculus, Nuova serie XVII (56) (2018), p.17-49.

Castro, Manuel: Manuel Dopazo, decano de los gaiteros en la Argentina. In: Anuario da Gaita 1996 (11), p.75-80.

Castro Cambeiro, Manuel: Estudio sobre modificaciones de la gaita gallega. In: Anuario da Gaita 1989 (4), p.19-23.

Castro Macía, Luís: Diccionario Xerais Galego-Castelán || Castellano-Gallego. Vigo, 2001 (Dictionary as a source).

Catalano, Dora: Zampognari e zampogne nell’arte molisana: censimento delle testimonianze figurative con immagini di zampogne, zampognari o strumenti affini. Scapoli, 2001.

Catlin, Amy: Hmong musical instruments. In: The Garland encyclopedia of world music (4): Southeast Asia [unpaged].

Cauti, Giuseppe: Gli aerofoni. In: L’Informazione del Collezionista 39 (Pescara, 2004), p.24-24.

Ceribašić, Naila: Pavo Gadanyi: a profile of a bagpiper, a convivial builder of social communication (Chapter of "Pavo Gadanyi and Croatian bagpiping"). In: SIMP, new series, II (Münster, 2011), p.1-12, 322 (abstract [➺ p.321]).

Charles-Dominique, Luc: Bernard Desblancs, facteur de cornemuses landaises. In: Pastel 25 (Toulouse, 1995), p.6-9.

Charles-Dominique, Luc: La cornemuse dans l’espace ménétrier français de l’Ancien Régime = The role of the bagpipes among the itinerant musicians of France during the Ancien Regime. In: Les cornemuses de George Sand: autour de Jean Sautivet…, p.19-21, (97-98).

Charlton, George V.B.: The Northumbrian bag-pipes. In: Archaeologia Aeliana 4;7 (1930), p.131-142 + plates XXXI-XXXV.

Chassaing, Jean-François: La tradition de cornemuse en Basse-Auvergne et sud-Bourbonnais [Thèse de doctorat, ethnologie 3e cycle, Univ. Lyon 2, 1981]. Moulins, 1983.

Chouquet, Gustave: Le Musée du Conservatoire National de Musique: Catalogue raisonné des instruments de cette collection. Paris, 1875.

Cinque, Luigi: Kunsertu: la musica popolare in Italia. Milano, 1977.

Číp, Pavel]: Otázky související se stavbou replik dobových nástrojů a problematika ladění: příspěvek k Dudáckému symposium, Strakonice 1994 [Questions concerning the construction of replicas of contemporary instruments [bagpipes] and the problems of tuning]. Zubří, s.a. [1994]. (4 p.).

Číp, Pavel & Klapka, Rudolf F.: Dudy v Čechách, na Moravě a ve Slezsku: Historie, typologie, malá škola hry, návody na výrobu = Dudelsäcke in Böhmen, Mähren und Schlesien: Historie, Typologie, Schule des Spielens, Anleitungen zur Selbstbau und alle technische Dokumentationen. Brno, 2006. NB: ➺ Review (WS).

Číp, Pavel & Režný, Josef: České dudy: výroba, zdobení, ladění [The Czech bagpipe: manufacture, decoration and tuning]. Rožnov p[od].R[adhoštěm], 1991.

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